In New York, "pay what you wish" usually means "if you live here" — with one exception that is the best free offer in the city and that almost no visitor knows about. Plus the museum at the top of the island that people most often wish they had heard of sooner.
New York has more first-rank museums than any city except perhaps London and Paris, and the commonest mistake visitors make is trying to see three of them in a day. The second commonest is turning up at the desk expecting to pay what they wish.
How admission actually works
This deserves to come first because it catches almost everybody, and because the rules are not what the phrase suggests.
At the Metropolitan Museum of Art, pay-what-you-wish applies to residents of New York State and to students from New York, New Jersey and Connecticut. Everybody else pays the full admission. Proof of residency is required — a New York driving licence, an identity card, a utility bill, even a library card — and buying online at the reduced rate requires a New York billing address. An overseas visitor cannot use it.
This is widely misunderstood, partly because it used to be a genuine donation scheme for everyone, and partly because "pay what you wish" survives in a great deal of older writing without the qualification. The Cloisters, described below, is part of the Met and its admission arrangements are shared with the main building, so it is worth checking the current terms before buying twice.
At the Museum of Modern Art the free Friday evening is also for New York State residents only, with proof and advance booking. Again, not available to a visitor from abroad.
At the Whitney, Friday evenings are free to everybody. No residency test, no student card. For an overseas visitor this is the single best free offer among the major art museums in New York, and almost nobody arrives knowing it. Booking ahead is sensible and the exact hours shift, so check.
The general principle is worth internalising: in New York, "pay what you wish" and "free evening" usually mean "if you live here." Each museum's own website is the only reliable source, and it is worth two minutes before setting out.
The big ones
The Metropolitan Museum of Art, on Fifth Avenue at 82nd Street, holds around five thousand years of material from everywhere — not six thousand, as is often repeated. It is far too large to see in a visit and attempting it produces nothing but sore feet. The approach that works is to choose two or three areas and ignore the rest: the Egyptian wing with the Temple of Dendur in its glass hall, the European paintings, the American Wing, the arms and armour, the Greek and Roman galleries. The roof garden is open in warmer months and looks over Central Park.
The Museum of Modern Art, on 53rd Street just off Fifth, was substantially enlarged in 2019 and is the strongest collection of twentieth-century art anywhere. It is also the busiest, and the famous paintings have crowds in front of them. Early opening or late afternoon is the answer.
The Guggenheim, at Fifth Avenue and 89th Street, is as much a building as a museum — Frank Lloyd Wright's white spiral, built between 1956 and 1959, a continuous ramp winding up around a skylit atrium. It is one of the Wright buildings inscribed as a World Heritage site.
Two notes on it. Wright intended visitors to take the lift to the top and walk gently down, and that is still the museum's recommendation and much the better experience; a great many people walk up instead, uphill, for no reason. And the building has been criticised since before it was finished for being a difficult place to hang pictures — the walls curve and the floor slopes — which is why a conventional rectangular tower was added behind it in the 1990s to hold much of the painting collection.
The exterior is best seen from across Fifth Avenue. The architect, incidentally, is Wright: "Lloyd" was a middle name and is not his surname, which older writing sometimes gets wrong.
The Whitney Museum of American Art moved in 2015 from the Upper East Side to a new building in the Meatpacking District at the southern end of the High Line. American art only, strong on the twentieth and twenty-first centuries, and with outdoor terraces that are half the pleasure of going.
The Frick Collection, at 70th Street, reopened in 2025 after a five-year renovation. A steel magnate's Fifth Avenue mansion, still arranged as a house, hung with the paintings he bought — Vermeer, Rembrandt, Holbein, Bellini. It is the best small museum in the city and the one most likely to be a surprise.
The American Museum of Natural History, on the west side of Central Park at 79th Street, is enormous, old-fashioned in the good sense, and the obvious choice with children. A new wing opened in 2023. The dinosaur halls and the blue whale are the things everyone remembers.
The Cloisters, which is the one to make an effort for
At the very top of Manhattan, in Fort Tryon Park above the Hudson, is a museum of medieval art built in the 1930s out of fragments of actual European monasteries — cloisters, chapels, a chapter house — shipped over and reassembled around gardens. The land and the funding came from John D. Rockefeller Jr. It is a branch of the Met and it feels like a different continent.
The collection runs chiefly from the Romanesque through the Gothic. A Romanesque chapel with barrel vaulting and a fresco of the Virgin flanked by Michael and Gabriel; a chapter house from Notre-Dame-de-Pontaut, thick-walled and small-windowed but with a Gothic vault, so the transition between the two styles is visible in one room; a Gothic chapel with tall stained glass and rib vaulting. The gardens are planted with medieval herbs and the terraces look out over the river.
The highlight is the Unicorn Tapestries — seven enormous wool and silk hangings depicting the hunt of the unicorn, dense with allegory, and among the greatest surviving works of medieval art anywhere. Also there: the Belles Heures of the Duc de Berry, the Spanish Altarpiece of the Annunciation, and three rooms of treasury pieces.
It takes the better part of an hour to reach by subway from midtown, on the A train, and the quiet on arrival is worth every minute of it. This is the least crowded major museum in New York and the one visitors most often say they wish they had known about.
The specialists
- The Morgan Library, in Murray Hill — a banker's private library and study, with manuscripts, Gutenberg Bibles and a reading room of extraordinary richness.
- The Tenement Museum, Lower East Side — preserved flats in a real tenement, visited by guided tour, telling the immigration story through the families who lived in them. Book ahead; it only works as a tour.
- The Neue Galerie, Fifth Avenue — German and Austrian art, including Klimt's gold portrait of Adele Bloch-Bauer, in a mansion with a Viennese café downstairs.
- Cooper Hewitt, design, in the Carnegie mansion further up Museum Mile.
- The Museum of the City of New York, at 103rd Street — the single best place to understand how the city came to be as it is.
- The Brooklyn Museum — a major collection, far less crowded than its Manhattan equivalents, with an excellent Egyptian holding and the Brooklyn Botanic Garden next door.
- The Noguchi Museum and MoMA PS1, both in Queens, for sculpture and for contemporary work respectively.
- The Intrepid, an aircraft carrier moored on the Hudson, with aircraft on the flight deck, a submarine and a space shuttle.
- The New York Transit Museum, in a disused Brooklyn subway station, with vintage carriages on the platforms. Much better than it sounds.
- The 9/11 Memorial Museum, covered under Lower Manhattan.
Practical notes
- One major museum a day, and not more. Two means seeing neither.
- Book timed entry where it is offered, which is most places now, and arrive at opening or in the last two hours.
- Late openings are the best-kept secret — several of the big museums stay open one or two evenings a week and are dramatically quieter then.
- Check closing days. A number of New York museums close one day a week, and it is not always Monday.
- Use the coat check, which is usually free and always worth it, because large bags are refused and the galleries are warm.
- Museum Mile runs up Fifth Avenue from about 82nd to 105th Street, so the Met, the Guggenheim, the Neue Galerie, Cooper Hewitt and the Museum of the City of New York are all on one walk along the edge of Central Park.